The Renowned Filmmaker discussing His Latest Revolutionary War Project: ‘We Won’t Work on a More Important Film’
Ken Burns has evolved into beyond being a filmmaker; he is a brand, an unparalleled production entity. With each new documentary series heading for the small screen, all desire a part of him.
He participated in “countless podcast appearances”, he remarks, approaching the conclusion of nine-month promotional tour featuring four dozen cities, dozens of preview events and hundreds of interviews. “With podcasts numbering in the hundreds of millions, I feel I’ve participated in a substantial portion.”
Thankfully the filmmaker is incredibly dynamic, as loquacious behind the mic as he is accomplished in the editing room. The veteran director has traveled from historical sites to mainstream media outlets to talk about a career-defining series: his Revolutionary War documentary, a comprehensive multi-part historical examination that occupied ten years of his career and debuted this week on PBS.
Classic Documentary Style
Like slow cooking amidst instant gratification culture, Burns’ latest project is defiantly traditional, more redolent of historical documentary classics than the era of streaming docs new media formats.
However, for the filmmaker, whose entire filmography chronicling strands of US history covering diverse cultural topics, the nation’s founding is not just another subject but essential. “I said this to my co-director Sarah Botstein recently, and she concurred: no future work will carry greater importance,” Burns contemplates during a telephone interview.
Comprehensive Scholarly Work
The filmmaking team plus scripting partner Geoffrey Ward drew upon countless written sources and other historical materials. Multiple academic experts, representing diverse viewpoints, contributed scholarly insights in conjunction with distinguished researchers from a range of other fields like African American history, indigenous peoples’ narratives and imperial studies.
Signature Documentary Style
The style of the series will feel familiar to devotees of The Civil War. The characteristic technique included slow pans and zooms across still photos, extensive employment of contemporary scores and actors reading diaries, letters and speeches.
This period represented Burns established his reputation; a generation later, presently the respected veteran of historical films, he seems able to recruit numerous talented actors. Participating with Burns during a recent appearance, acclaimed writer Lin-Manuel Miranda commented: “A call from Ken Burns commands immediate acceptance.”
Extraordinary Talent
The extended filming period proved beneficial concerning availability. Filming occurred in recording spaces, in relevant places through digital platforms, a method utilized during the pandemic. The director describes the experience with performer Josh Brolin, who made time while in Georgia to perform his role as the revolutionary leader prior to departing to subsequent commitments.
Brolin is joined by numerous acclaimed actors, respected performing veterans, emerging and established stars, multiple generations of actors, Samuel L Jackson, Michael Keaton, Tracy Letts, British and American talent, versatile character actors, television and film stars, Dan Stevens, Meryl Streep.
Burns adds: “Frankly, this may be the best single cast recruited for any project. Their work is exceptional. Their celebrity status wasn’t the criteria. It irritated me when questioned, about the prominent cast. I responded, ‘These are performers.’ They’re the finest actors in the world and they animate historical material.”
Historical Complexity
Still, the lack of surviving participants, visual documentation forced Burns and his team to rely extensively on primary texts, combining personal accounts of nearly 200 individual historic figures. This methodology permitted to show spectators not only to the “bold-faced names” of that era but also to “dozens of others crucial to understanding, many of whom never even had a portrait painted.
Burns additionally pursued his individual interest for maps and spatial representation. “I love maps,” he observes, “and there are more maps in this project compared to previous works I’ve done combined.”
Global Significance
The production crew recorded across multiple important places across North America plus English locations to capture the landscape’s character and partnered extensively with living history participants. Various aspects converge to depict events more bloody, multifaceted and world-changing versus conventional understanding.
The film maintains, was no mere parochial quarrel concerning territory, taxes and political voice. Instead the film portrays a violent confrontation that eventually involved more than two dozen nations and surprisingly represented termed “humanity’s highest ideals”.
Civil War Reality
What had begun as a jumble of grievances aimed at the crown by American colonists throughout multiple disputatious regions rapidly became a brutal civil conflict, setting brother against brother and creating local enmities. During the second installment, academic Alan Taylor comments: “The primary misunderstanding regarding the Revolutionary War involves believing it represented a unifying experience for colonists. It leaves out the reality that Americans fought each other.”
Historical Complexity
According to his perspective, the revolution is a story that “for most of us is overwhelmed by emotionalism and nostalgia and lacks depth and fails to properly acknowledge the historical reality, and all the participants and the incredible violence of it.
Taylor maintains, a revolution that proclaimed the world-changing idea of the unalienable rights of people; a brutal civil war, separating rebels and supporters; and a global war, continuing previous patterns of wars between imperial nations for control of the continent.
Uncertain Historical Outcomes
Burns also wanted {to rediscover the